Alex Garland has crafted the greatest video game adaptation of all time. The world of Annihilation is the most immersive environment I have visited in a long time; it is also the most ominous. Every specimen in it, from the scattered patches of grass, to the neon coastline to the muddy lagoons, oozes hazard. You attach a controller to the screen and are suddenly playing an Earth-bound version of Doom.
I am only compelled to write at length regarding films that made me feel something; a brief glance at my post history will reveal that I write a mere sentence or two for each movie. This blog is not meant as a movie review site, but as a space in which I can expand on the feelings brought upon by the power of cinema. As such, films are not analyzed from a technical perspective, nor viewed through a political or social lens; they are lived in by emotions and my faith.
For two hours Annihilation trapped me in a world in which the unknown was more dangerous than even the massive deadly beasts roaming through the land. Unanswered questions and a sense of uncertainty are greater foes than the ones we stare in the face.
It is this intense sense of dread and mystery which has attached me so deeply to Annihilation. In an era in which Hollywood has to hold the audiences hand and lead them to the nicely tied in a bow ending in which good triumphs over evil, Alex Garland has provided a conclusion in which the answers only serve as springboards for more questions, for further prodding of every little thing that has preceded it. Such examination stimulates the intellect, invigorating the notion that cinema is truly the only thing that has the capacity to transport you to far away places, to challenge you, to question what it means to be human and what to do with the time we have left.
Are we going to continue sabotaging ourselves, as a character in the film notes is humanity’s favorite past time? In that case the arrival of foreign entities to destroy us must be welcome, for they cannot mess things up more than they already are. Or are we going to plow through adversity until we get the answers? And while the film posits that the end of the road may provide not the type of closure one was expecting, it does incites change. And as long as change is possible, life can carry on.