Widows

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Widows is a visual representation of the oft-quoted phrase by Christians, “we live in a broken world”.
That generically vague statement does not really mean much by itself, but now believers can point towards an entertaining piece of evidence to back it up. For anybody who is interested in expanding this idea, I will break it down next.

The setting: a Chicago neighborhood.
The characters: a dozen Chicago residents, of all color, ideology, socioeconomic status

Ultimately, the motivations of every character in the movie are driven by the desire to improve their circumstance. There is nothing wrong with aiming to better oneself, yet Widows displays that in a world in which the systems of governance and justice are rotten to its core, having been invented by human beings with the same flaws as everyone else, humans will tend to gravitate towards themselves. The characters live for themselves, foregoing their neighbors and family. Ironically, this lack of compassion for our neighbor perpetuates the system that keeps everything the way it is.

Steve McQueen holds tight on a pastor’s face as he delivers a rousing sermon on the importance of love. “Love your neighbor!”, he roars. “Strive for excellence with love as a motivator!”, he goes.
And McQueen, by now crowned as a director possessing a rare knowledge of the follies of man, then shows the same pastor embroiled in a nasty political race. Yes, it is love that motivates this man, but not the selfless one Jesus exemplified, but the other one, the common one, the love of money.

More than anything, Widows shows just how pitiful we all are. It shows humans as children trying their best to navigate the messiness of life, their best efforts to save themselves falling short. It emphasizes the need for a way that is bigger than any of us.

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Schindler’s List

schindlerIn the annals of cinema history, few pictures can match the devastating effect Schindler’s List has on the viewer.
Long I’d heard about this movie; online and off, I had encountered many raves and praises, yet nothing could have prepared me for those actual three hours of history that Steven Spielberg managed to capture on celluloid.

Without a doubt his magnum opus, Spielberg must have found production the most emotionally demanding of his film career, as there is no way any sane person can go over such ghastly events on a day to day basis without it affecting its psyche. For the effort alone, the director must be commended. But going through all that and producing what is perhaps the finest and most haunting film about the Holocaust ever made? There are simply no words.

Shot on beautiful black and white photography, Schindler’s List never asks us to cry. It never demands us to come face to face with the worst parts of our humanity. By feeling more like a documentary than a straight narrative, it simply moves from one event to the other, never commenting on what the characters do. It exists, and we are witnesses to what is presented to the camera. I imagine there can be a multitude of reactions a person can have while watching this, but I doubt indifference is one of them. This is a movie in which the only way not to feel a thing would be to turn it off, for the camera has such power it nearly comes alive.

I was reminded of Steve McQueen’s 12 Years a Slave, and I found the thought curious, so I further prodded my mind.
It is not that both films address the horrors humans are capable of inflicting upon each other, nor that they are handled in the same way, with the camera never intruding in the proceedings, but merely standing by, silently witnessing each atrocity. I think it was because I looked to myself and wondered, “Would you be capable of doing this to a fellow human being?”

The tragedy is that we all can. We are a fallen people, and it is astounding that we have made it this far without tearing each other apart. What’s most astounding is that a Savior would willingly give His life for us. Because we do not deserve it, do we? Yet, by love and love alone, we are freed from shame and sin and death, and are able to look up at the sky and smile. For we are forgiven.

May we strive, every single day of our existence, to live right in this world. To do good. Let the Schindler’s of this life overcome the Goethe’s. May hope defeat bleakness, and light swallow darkness.
It is the only reasonable way to live.

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